Adam Chad Brody
Adrian Buschmann
Adrian Piper
Adrien Chevalley
Aids-3d
Alex Hubbard
Ali Kepenek
Amy Yao
BFFA3AE
Bless Oscar Magnuson Mykita
Brock Enright
The Bruce High Quality Foundation
Charlotte Herzig
Chris Succo
Christine De La Garenne
Christopher Füllemann
Dan Shaw-Town
Daniel Keller
Dave Mcdermott
David Adamo
David Hendren
Davide Balula
Debora Delmar Corp.
Duncan Malashock
Ed Fornieles
Emmy Skensved
Evan Gruzis
Frank Lloyd Wright
Fritz Köthe
Gabriel Lester
George Egerton-Warburton
Gilles Furtwängler
Grit Hachmeister
Guillaume Pilet
Haley Mellin
Halina Kliem
Hans Isaksson
Hayal Pozanti
Hunter Chamberlain
Iris Touliatou
Ivan Comas
Jala Wahid
James Howard
Jan Håfström
Jason Simon
Jean-Luc Godard & Anne-Marie Miéville
Jean-Sébastien Grégoire
Jedediah Caesar
Jen Denike
Jens Einhorn
Jim Lee
John M Armleder
Jota Castro
Judith Braun
Julia Colavita
Juliana Cerqueira Leite
Langundtroia
Leonhard Hurzlmeier
Louisa Gagliardi
Lucas Jardin
Lucie Fontaine
Luke Barber-Smith
Manor Grunewald
Marc Bijl
Marcus Knupp
Margo Trushina
Marguerite Humeau
Marianne Vlaschits
Mark Titchner
Markus Amm
Marlene Stark
Matt Connors
Matthew Stone
Maximiliam Arnold
Mie Olise
Nathaniel Rackowe
Nazafarin Lotfi
Neil Beloufa
Nick Oberthaler
Nicolás Guagnini
Niels Sievers
Otto Piene
Paul Cowan
Pauline Beaudemont
Pauline Boudry & Renate Lorenz
Petros Moris
Piotr Łakomy
Rainer Ganahl
Ramaya Tegegne
Richard Frater
Rindon Johnson
Robert Powell
Roman Liška
Sarah Oppenheimer
Sebastian Black
Sebastian Lloyd Rees
Selina Grüter & Michèle Graf
Shade Therét
Shana Moulton
Shezad Dawood
Sister Corita Kent
Torben Ribe
Ulrich Erben
Vera Kox
Wyatt Kahn
Ylva Ogland
Adam Chad Brody
Adrian Buschmann
Adrian Piper
Adrien Chevalley
Aids-3d
Alex Hubbard
Ali Kepenek
Amy Yao
BFFA3AE
Bless Oscar Magnuson Mykita
Brock Enright
The Bruce High Quality Foundation
Charlotte Herzig
Chris Succo
Christine De La Garenne
Christopher Füllemann
Dan Shaw-Town
Daniel Keller
Dave Mcdermott
David Adamo
David Hendren
Davide Balula
Debora Delmar Corp.
Duncan Malashock
Ed Fornieles
Emmy Skensved
Evan Gruzis
Frank Lloyd Wright
Fritz Köthe
Gabriel Lester
George Egerton-Warburton
Gilles Furtwängler
Grit Hachmeister
Guillaume Pilet
Haley Mellin
Halina Kliem
Hans Isaksson
Hayal Pozanti
Hunter Chamberlain
Iris Touliatou
Ivan Comas
Jala Wahid
James Howard
Jan Håfström
Jason Simon
Jean-Luc Godard & Anne-Marie Miéville
Jean-Sébastien Grégoire
Jedediah Caesar
Jen Denike
Jens Einhorn
Jim Lee
John M Armleder
Jota Castro
Judith Braun
Julia Colavita
Juliana Cerqueira Leite
Langundtroia
Leonhard Hurzlmeier
Louisa Gagliardi
Lucas Jardin
Lucie Fontaine
Luke Barber-Smith
Manor Grunewald
Marc Bijl
Marcus Knupp
Margo Trushina
Marguerite Humeau
Marianne Vlaschits
Mark Titchner
Markus Amm
Marlene Stark
Matt Connors
Matthew Stone
Maximiliam Arnold
Mie Olise
Nathaniel Rackowe
Nazafarin Lotfi
Neil Beloufa
Nick Oberthaler
Nicolás Guagnini
Niels Sievers
Otto Piene
Paul Cowan
Pauline Beaudemont
Pauline Boudry & Renate Lorenz
Petros Moris
Piotr Łakomy
Rainer Ganahl
Ramaya Tegegne
Richard Frater
Rindon Johnson
Robert Powell
Roman Liška
Sarah Oppenheimer
Sebastian Black
Sebastian Lloyd Rees
Selina Grüter & Michèle Graf
Shade Therét
Shana Moulton
Shezad Dawood
Sister Corita Kent
Torben Ribe
Ulrich Erben
Vera Kox
Wyatt Kahn
Ylva Ogland
MIE OLISE
INFO

INFO
”The plants most likely to survive an atomic bomb, and the first ones to grow back after one are the Vicia Sepium and Taraxacum Officinale ”.
DUVE Berlin proudly presents the second solo exhibition by Danish artist, Mie Olise. The exhibition titled *Afflicted Fallout* presents new works of painting, watercolour and sculpture that investigate, reflect and interpret one of the most controversial moments in the history of science and the development of the atomic bomb.
*Afflicted Fallout* revisits a meeting that occurred in 1941 between two physicists, Niels Bohr and Werner Heisenberg in Copenhagen at The Niels Bohr institute, within Niels Bohrs private office and in Auditorium A. Olise’s artwork invites the viewer inside this location, providing a seemingly haunting insight into the space once occupied with scientific minds, research and now political and social controversy.

The meeting of 1941, historically remains of scientific importance as it signified a turning point of moral, political and scientific concern during the quest for nuclear power on the brink of World War 2. This meeting between the two great minds has later been referred to as ”The Copenhagen Fall Out”.
Bohr and Heisenberg worked together since 1924 and had an intense professional relationship, they mentored and collaborated with many of the top physicists of the century and both won the Nobel Prize. Later they were separated by war, Heisenberg in Berlin and Bohr in Copenhagen. In 1941, Heisenberg came to Bohr with the question concerning the possibility of creating the nuclear bomb. ”Could one do that in the name of science regardless of politics?” Bohr refused to talk to Heisenberg and never wanted to discuss the topic again. After the war Heisenberg never got Bohr to solve the differences they had that day in 1941.
Heisenberg went back to Germany, and never made the atomic bomb. Bohr, now believing that Heisenberg was making the atomic bomb, made contact with the British Intelligence who assisted his immigration to the UK and America whereby Bohrs assisted the allied forces to build the first atomic bomb, that bomb was later dropped over Hiroshima on August 6, 1945.

Bohrs and Heisenberg aimed at creating a better world through science. However their relationship and the ‘The fall out’ has so many layers. Bohr was Jewish and politically active during World War 2. Heisenberg was working for the Nazis without agreeing with them but wanting to be inside rather than outside in order to make a difference. Both had the intellect and knowledge to develop the bomb, but were politically and morally torn apart. They didn’t meet each other in agreement, and the disagreement is a very sad one, they never saw the other's positive intentions. Not only was the ‘Copenhagen fallout’ a moment that changed the course of scientific history but Bohrs and Heisenberg suffered their own personal fallout of friendship. A friendship destroyed from a lack of communication leading to a terrible consequence. It was not until many years after both men died, the last part of the argument is revealed inside Bohrs personal library of books where the drafts of unsent letters were found, handwritten by Bohr intended for Heisenberg but were never sent.

Mie Olise went to investigate the two specific meeting-points at The Niels Bohrs Institute for the Bohr and Heisenberg's 1941 meeting. *Afflicted Fallout* presents 11 paintings, which are interpretations of details of the two specific architectural spaces accompanied by 8 watercolours of plants that would survive a possible nuclear fallout. At the exhibition visitors will also find a tiny silver sculpture that contains a microfilm coding map, inspired by the microfilm coding the British intelligence used to communicate with Bohrs during his time in Copenhagen.
Mie Olise was born in 1974 in Denmark, she currently lives and works in Brooklyn, New York where she is undertaking the ISCP – International Studio and Curatorial Program. Mie obtained her Masters of Fine Arts at St Martin’s School of Art in London and a Masters of architecture at the Aarhus School of Architecture. Mie has upcoming solo-exhibitions at the Kunsthalle Nikolaj, Copenhagen Contemporary Art Centre and at Honor Fraser gallery in Los Angeles. She has previously had solo exhibitions at Ny Kunst Museum (SNYK), New Museum of Contemporary Art in Denmark and at Barbara Davis gallery, Houston. Olise has also had group exhibitions at Ystad Museum of Art, Sweden, the Ovengaden Institute for contemporary Art in Copenhagen and participated at the Istanbul Biennial in 2007, the Liverpool Biennial in 2008 and the Whistable Biennale in 2010.

The concept for * Afflicted Fallout * was realised in December 2010 and accomplished in January 2011 - this exhibition is not a reaction to the current tragedy Japan faces as a result of nuclear power and natural disaster. The exhibition aims to provide a discussion platform and a ground of thinking that bridges political, social and ecological concerns.